Kyoto in 24 hours
November 27, 2009
KYOTO (TR) – As Japan’s seventh largest city, the ancient capital of Kyoto blends modern urban sprawl with traditional touches. Falling somewhere in between has been the development of an environmental movement considered to be one of the nation’s largest. What follows is a “green” guide to Kyoto for a single day’s stay.
09.00: Kyoto’s nearly 2,000 temples and shrines are well known, yet culinary delicacies are not to be overlooked, and numerous varieties are available at the Nishiki Market, where over 100 family-run shops have offered locally sourced products for four centuries. A walk down the narrow corridor reveals aromas of grilled fish and boisterous shopkeepers enthusiastically peddling sushi and other seafood (oysters, squid and sweetfish), sweets, fresh vegetables and some of Japan’s finest cutlery. For a sampling of the wares, order breakfast at Iyomata (Tel: 075-221-1405), which offers sushi sets, including chirashi zushi (various raw fish over rice).
10.30: In 1997, Kyoto hosted the United Nations conference that set greenhouse gas emission targets, but the streets of Japan’s former capital are often jammed with cars. As an alternative, the Kyoto Cycling Tour Project provides various types of two-wheelers from its outlet just in front of Kyoto Station. Cycle down to the Fushimi Inari Shrine, notable for its path of 5,000 orange entry gates, and back up the bike route hugging the Kamogawa River. Then venture over to the Kyoto Handicraft Center to peruse its selection of painted screens and kimono wear or partake in making your own woodblock print or folding fan in the center’s studio. Read more
Tokyo in 24 hours
April 9, 2009
TOKYO (TR) – Tokyo is a sprawling and mercurial metropolis that often confounds the traveler. What follows is a guide for Japan’s capital for a single day’s stay. For navigation assistance, a peek at the Tokyo Metro subway map might be useful.
07.00: The world’s largest fish market is at Tsukiji, whose fishmongers provide a fascinating glimpse at just what lurks in the sea: massive tuna carcasses are carved by saws, eels squirm on tables, and clams fill buckets. Yet care should be taken as the slick-floored, darkened maze of stalls is continually inundated by steady streams of gasoline-powered carts and ice haulers. No flash photography is allowed during the live tuna auction but there is a distinct viewing area. Inside the market grounds is restaurant Yamato, which serves truly delicious morning sushi sets for around 2,000 yen.
09.00: Rebuilt twice, the Kabuki-za in Ginza has been Japan’s premier home to kabuki theater performances since its founding in 1889. The matinees start in the afternoon, but the ornate building, set to be demolished in 2010, is definitely worth a peek. Also facing the wrecking ball is the nearby Nakagin Capsule Tower, a thin residential and office structure of stacked concrete modules designed by architect Kisho Kurokawa in early ‘70s that is generally considered to be the purveyor of the coffin-like accommodations found in capsule hotels. Read more
Taro Okamoto in Tokyo
November 9, 2008
Glimpses of Taro Okamoto on television or in photographs often showed the avant-garde artist with his hands moving in circles in front of his face, flashing the cheeky grin and bulging eyes that became as well-known as his proclamation: “Art is an explosion!”
Such expressions and imagery usually found their way into self-reflective paintings and sculptures—colors bursting forth, swirling patterns and distorted facial features—that made Okamoto one of Japan’s most revered contemporary artists.
Born in 1911 in Kawasaki, Okamoto studied philosophy and sociology at the University of Paris before serving in the Imperial Army in China during World War II. Following his return to Japan in 1946, he harbored antiwar sentiments. Soon after, he established a studio in Setagaya that would later move to Aoyama, which today is the location of the Taro Okamoto Memorial Museum. He died of acute heart failure in 1996. The installation of one of his masterpieces, “Myth of Tomorrow,” inside Shibuya Station later this month will certainly renew interest in his output, which can be widely seen in Tokyo and the surrounding area. Read more

